the art of mending.
a post election poem
we are torn apart
as if we had forgotten
we are one fabric--
cut from the same cloth
of flesh, bone, and desire.
Separate as we are
we cry like children
ripped from
their mother's arms
or a limb wrenched
from the body,
uselessly flailing.
We must now
take up the art
of mending--
threading our lives
stitch by stitch,
seam by seam
until we are bound
by the frayed truth
that has always been:
we belong
to each other.
Featured Post
A Dedication.
These words are for the artists and dreamers Who want a slippery God, Not the stone one nailed permanently to a cross In old buildings, t...
Tuesday, November 8, 2016
Monday, May 23, 2016
the great day.
This poem by Carl Dennis is a gentle reminder that the great day may never come. We may never compose our opus. We may never make a pilgrimage to the place of beauty we've painted in our minds. We may never achieve the mystery or passion or success that we've imagined for ourselves. But each day offers an invitation to enjoy the here and now, with such adoration and wonder that it becomes extraordinary. This poem beckons us to take the good china off the shelf and feast on the banquet of life just as it is.
What if the great day never comes
And your life doesn't shine with vivid blossoms,
Just the usual pale variety?
What if the best china never seems called for,
Those dishes reserved for the friends you love the most
On the day they return from their endless travels?
To use them now, for the only occasions available,
Would be to confuse the high realm with the low.
But not to use them, doesn't that seem wrong too,
To leave the best wine undrunk in the cellar
For the next owner of your house to open?
What then? Can you will yourself to see a common day
The way a saint might see it, as a gift from heaven,
Or the way it appears from the window of a hospital
On the first morning the patient feels strong enough
To edge across the room and look out?
There on the street an angel policeman
Is directing the flashing mosaic of traffic.
Or can you see the day as the dead might see it,
Not the ones who'd rather rest but those delighted
To abandon the gardens of Hell, however fragrant,
For a chance at crossing the sea again in a storm?
The day their ship, long given up for lost,
Steams into the harbor, all flags flying,
Would be a day to be toasted with rose champagne
In heirloom glasses. Down the gangway they come,
A little thinner, a little unsteady,
Eyes wide in wonder at their rare good fortune.
Can you see what they see as they look around
Or feel what their friends feel waiting on the dock
Must feel as they run forward?
"Let me look at you," they keep saying,
Suspending their formal speech of welcome.
"You look good. You look wonderful."
~ CARL DENNIS in *Ranking the Wishes* © 1997, Penguin
The Great Day
What if the great day never comes
And your life doesn't shine with vivid blossoms,
Just the usual pale variety?
What if the best china never seems called for,
Those dishes reserved for the friends you love the most
On the day they return from their endless travels?
To use them now, for the only occasions available,
Would be to confuse the high realm with the low.
But not to use them, doesn't that seem wrong too,
To leave the best wine undrunk in the cellar
For the next owner of your house to open?
What then? Can you will yourself to see a common day
The way a saint might see it, as a gift from heaven,
Or the way it appears from the window of a hospital
On the first morning the patient feels strong enough
To edge across the room and look out?
There on the street an angel policeman
Is directing the flashing mosaic of traffic.
Or can you see the day as the dead might see it,
Not the ones who'd rather rest but those delighted
To abandon the gardens of Hell, however fragrant,
For a chance at crossing the sea again in a storm?
The day their ship, long given up for lost,
Steams into the harbor, all flags flying,
Would be a day to be toasted with rose champagne
In heirloom glasses. Down the gangway they come,
A little thinner, a little unsteady,
Eyes wide in wonder at their rare good fortune.
Can you see what they see as they look around
Or feel what their friends feel waiting on the dock
Must feel as they run forward?
"Let me look at you," they keep saying,
Suspending their formal speech of welcome.
"You look good. You look wonderful."
~ CARL DENNIS in *Ranking the Wishes* © 1997, Penguin
Saturday, January 16, 2016
100,000 Versions of the Universe
At 3am I wake again to your crying;
piercing and insistent you urge me
from the warmth of bed into the familiar
darkness of the hallway. Your restlessness
pulls me forward down the now well-worn
path to the doorway of your nursery.
As soon as I lift your small form
from the crib, you lean into my body
and fall quiet; You burrow like an animal,
desperate only for my touch, as if my presence
were your air, your food, your water.
I hold you and we rock in the big gray chair
that was picked out when nights like these
were just a premonition and you were just
a dream growing in the dark soil of my body.
As we rock, you grasp at anything
you can grip in your tiny hand:
my hair, my finger, my ear.
You hold me tight, like a life preserver
as if the raft of one another is the only
thing keeping us from drifting away into oblivion.
Every now and again your eyes open
and you smile up at me with sheer
contentment and joy as if you can't
believe your luck; the same look of someone
who touches their fingers to their lips
after a first longed-for and unexpected kiss.
I think of the 100,000 versions of the universe
that do not contain this exact moment.
A universe where rational thinking compelled us
to wait a day, a month, a year to try to have children.
Another where I heard your cry, but chose
the lure of sleep instead, resting in the knowledge
that you would be fine until morning.
Another where my husband and I never met,
or loved, or chose this particular life and
are instead living in other houses, in other towns,
sleeping in other beds, next to people who are strangers.
Or the universe where you simply slept soundly
on this one night, unstirred by cutting teeth,
or cold toes, or shadows in the corner,
and we are both dreaming our separate
dreams on different sides of the wall.
And so I silently praise the monsters under the bed,
and the stoplights, and the floor plans, and the meaningless words
typed or exchanged over cups of too hot or too cold coffee, and
the hundred doors that opened or shut with such precision, and
the split second decisions and coincidences and happenstances
that all added up to this particular moment,
in this particular chair,
in this particular universe
with you.
piercing and insistent you urge me
from the warmth of bed into the familiar
darkness of the hallway. Your restlessness
pulls me forward down the now well-worn
path to the doorway of your nursery.
As soon as I lift your small form
from the crib, you lean into my body
and fall quiet; You burrow like an animal,
desperate only for my touch, as if my presence
were your air, your food, your water.
I hold you and we rock in the big gray chair
that was picked out when nights like these
were just a premonition and you were just
a dream growing in the dark soil of my body.
As we rock, you grasp at anything
you can grip in your tiny hand:
my hair, my finger, my ear.
You hold me tight, like a life preserver
as if the raft of one another is the only
thing keeping us from drifting away into oblivion.
Every now and again your eyes open
and you smile up at me with sheer
contentment and joy as if you can't
believe your luck; the same look of someone
who touches their fingers to their lips
after a first longed-for and unexpected kiss.
I think of the 100,000 versions of the universe
that do not contain this exact moment.
A universe where rational thinking compelled us
to wait a day, a month, a year to try to have children.
Another where I heard your cry, but chose
the lure of sleep instead, resting in the knowledge
that you would be fine until morning.
Another where my husband and I never met,
or loved, or chose this particular life and
are instead living in other houses, in other towns,
sleeping in other beds, next to people who are strangers.
Or the universe where you simply slept soundly
on this one night, unstirred by cutting teeth,
or cold toes, or shadows in the corner,
and we are both dreaming our separate
dreams on different sides of the wall.
And so I silently praise the monsters under the bed,
and the stoplights, and the floor plans, and the meaningless words
typed or exchanged over cups of too hot or too cold coffee, and
the hundred doors that opened or shut with such precision, and
the split second decisions and coincidences and happenstances
that all added up to this particular moment,
in this particular chair,
in this particular universe
with you.
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